I’m pretty sure this concept has been discussed but for those of you who like watching videos this is the one for you.
Professor, producer, and entrepreneur George Howard discusses the concept of “The Long Tail,” which describes how changing technologies and business processes are changing the long-term sales patterns of many types of products, and applies its lessons to the music business of today and tomorrow.
I am fairly certain I have trashed Ms.Winehouse on this very blog in the past - I have issues with those displaying clear talent choosing to get twisted out of their trees instead and she has been an easy target for such attacks. I will digress on such attacks for now and support her stand on raising awareness about breast cancer with young women.
I lost my mom to breast cancer, and while not quite 24 [she was 42 when first diagnosed] I can speak to the need for for women of any age to be aware and take the time for regular self examinations and doctor visits when appropriate. Working for the Canadian Cancer Society I meet young girls [young children] to seniors fighting cancer - their is no age limit or requirement when it comes to cancer invading your body. And anyone’s odds when fighting cancer are greatly improved with early detection.
Moodily strumming a guitar in the nude, with only two pieces of duct tape and a strategically placed musical instrument to protect her modesty, Amy Winehouse is the epitome of rock’n'roll style in a new series of images taken to raise awareness of breast cancer among young women.
The black and white portrait shows the Rehab chanteuse performing one of her sultry sets in a basement studio. “I feel it’s so important that people understand breast cancer affects young people as well as older women,” says the 24-year-old.
This movie angered me, possibly broke a small piece of my heart and filled me with hope and awe over the power of music.
Set in Northern Uganda, a country ravaged by more than two decades of civil war, WAR/DANCE tells the story of Dominic, Rose, and Nancy, three children whose families have been torn apart, their homes destroyed, and who currently reside in a displaced persons camp in Patongo. When they are invited to compete in an annual music and dance competition, their historic journey to their nation’s capital is also an opportunity to regain a part of their childhood and to taste victory for the first time in their lives.
14 year old Dominic had this to say in the opening minutes of the film [which was also beautifully shot on location] on the importance of music:
In our daily lives their must be music. In everything we do, if there is music, life becomes good. That’s why I want to be part of music.
Watch the film and tell me you wouldn’t want to grab that kid [or any of them in the film] and hug the hell out of him and then have a mad jam!
No known human culture now or anytime in the recorded past lacked music.
There is something universal and powerful about music and I feel fortunate enough to be part of it (and also not to have endured what these children and their families have).
I don’t want to give too much of the movie away but here is just one example of what these children have been left to deal with [copied from PopMatters review of the film):
The film illustrates a story told by Rose, a singer. Initially, the camera takes her point of view, running through a field in the sunlight, her hand trailing over the tall grasses. This pleasant perception is interrupted when Rose recalls LRA soldiers taking her to see a large pot, near a “big tree” swarmed by ants and flies: “It was so ugly,” she says, as the camera shows close-ups of bugs. “The soldiers,” she says, “removed heads one by one from the pot. I recognized my parents. When I saw my mother’s head being pulled from the pot, I felt like I was losing my mind… There is nothing more I can say.”
You really should see this movie.
Kudos to Th!nk Films for producing the movies they do - high quality productions that entertain while making you think and are almost guaranteed to get a response of some sort from you.
Have you heard the latest one about Nine Inch Nails…..
I understand if you might be confused, am I referring to his recent instrumental release Ghosts?
Or is it the singles he has released in the past week?
Well both good points but I am now listening to a brand new - complete album - we’re talking “real” songs here with lyrics that was just released for FREE - in every conceivable format you could want.
And after one listen through - it is solid. [Complete album details at end of post]:
as a thank you to our fans for your continued support, we are giving away the new nine inch nails album one hundred percent free, exclusively via nin.com.
the music is available in a variety of formats including high-quality MP3, FLAC or M4A lossless at CD quality and even higher-than-CD quality 24/96 WAVE. your link will include all options - all free. all downloads include a PDF with artwork and credits.
for those of you interested in physical products, fear not. we plan to make a version of this release available on CD and vinyl in july. details coming soon.
Oh - and beyond that there is the spin on live shows he is trying:
Trent Reznor’s Nine Inch Nails announced on Monday that the band has secured very limited allotments of “the guaranteed best possible seats” to every headlining show on the band’s upcoming tour, and will make them available for sale via NIN.com. Fans must register under their real names for the tickets, which will come personalized with the purchaser’s name that matches a photo ID presented at “designated will calls at separate entrances to be used exclusively by NIN.com pre-sale ticket holders.”
Meanwhile…..
Radiohead, although trying all kinds of online experiments including their own social network and a remix contest fetching over 2200 remixes [one of the highest voted remixes is Holy Fuck - 3/4s of whom hail from the east coast which is nice to see considering the recognition they are getting of late].
However, they are not the innovative leaders they may have appeared to be:
“I think it was a one-off response to a particular situation. It was one of those things where we were in the position of everyone asking us what we were going to do. I don’t think it would have the same significance now anyway, if we chose to give something away again. It was a moment in time.”
Radiohead is making some noise again today, with lead singer Thom Yorke basically saying that the band won’t do a promotion giving away free music again…..As such, it’s not at all surprising that Yorke would say the band won’t do it again. Since they only viewed it as a stunt, repeating the stunt doesn’t make sense. They’ll come up with some other stunt for the next release. That doesn’t, however, mean that the idea was wrong or a failure. Just that the band wants its publicity stunts to be new and different each time.
Reznor expressed his less than favorable opinions on Radiohead’s release:
“I think the way [Radiohead] parlayed it into a marketing gimmick has certainly been shrewd,” Reznor said. “But if you look at what they did, it was very much a bait and switch, to get you to pay for a MySpace quality stream as a way to promote a very traditional record sale.”
From the same CNet article above: The truth is that Reznor, who at times is volatile–and is always outspoken–is doing more for music fans and fellow musicians than anybody.
Continue reading for complete details on “The Slip” (more…)
Last year’s Obey Convention was excellent, but this one looks as if it’s going to overshadow it by far. Darcy Spidle, owner of Divorce Records, has been pulling some strings and has managed to pull in a variety of very excellent local and national acts. I’m going to profile a few artists, starting with the group I’m the most excited about.
NADJA (Toronto, Canada)
are musicmakers Aidan Baker and Leah Buckareff. They make heavy, soul-crushing and uplifting ambient metal (/shoegaze/doom/drone/). Seldom completely abandoning melody and never letting up a wall of sound; Nadja makes some of the most immersive music I’ve ever heard.
Nadja began in 2003 as a studio project for Aidan Baker. In 2005, after releasing three studio albums (Touched, Skin Turns To Glass, Corrasion) and an EP (I Have Tasted the Fire Inside Your Mouth), Aidan brought Leah Buckareff into the project in order to perform live. They have since released 10 more full length albums, an EP, and 7 collaborations. Not only do they have a massive amount of material, but the quality of it all is very impressive.
Of course, Aidan Baker is a prolific artist on his own. Classically trained on the flute, and self-taught on guitar. He has over 100 albums and EPs that he has composed, contributed to, or collaborated on, as well as several books of poetry. His writings mirror his musical style in their darkness, brooding, length, and heresy; his book ‘Wound Culture’ includes the eleven stanza poem ‘Angel Tales’ which muses on the sex life of Angels.
Nadja’s most recent album, Desire in Uneasiness, is a more human offering than their older albums. A drum kit, rather than a programmed drum machine beat, makes the swelling sounds more accessible. While still dominating your sense, they make the feeling less abstract and more like a natural disaster. Seeing this version of Nadja in person promises to be a very memorable experience.
Sappyfest has confirmed the line-up for its 2008 festival, including acts such as The Acorn, Attack in Black, Chad Van Gaalen, Julie Doiron & Miracle Fortress. Taking place in Sackville, NB, the festival will see over sixty bands perform between Friday, August 1 and Sunday, August 3.
SappyFest is an independent music festival produced by Sappy Records in Partnership with the Ok.Quoi?! Contemporary Arts Festival, Struts Gallery and Faucet Media Arts Centre. Now in it’s third year, the festival has returned with an exciting and artistically diverse line-up of bands that ranges from mod revival to country folk and psychedelic trance.
Acts confirmed for the festival thus far include: acclaimed post-folk act The Acorn; roots punk group Attack In Black; pop mavericks The Bicycles; uke-folk songsmith The Burning Hell; 2007 Polaris Prize nominee Chad Van Gaalen; singer/songwriter Christine Fellows; gloom rock hero’s Dog Day; post-rock upstarts D’ubervilles; 2007 Polaris Prize nominee Julie Doiron; Paperbag Records recording artist Laura Barrett; symphonic pop wizards Miracle Fortress; folk-revival mastermind Old Man Luedecke; reclusive genius Rick White; Constellation recording artist Sandro Perri; lo-fi luminary Shotgun Jimmie; acclaimed singer/songwriter Snailhouse; cute-core duo The Superfantastics; sprawling rock collective The Got To Get Got; punk-raver-destruction band Think About Life.
Other acts confirmed to perform at Sappyfest include: 100 Dollars, Adam & The Amethysts, Baby Eagle, The Baird Brothers, B.A. Johnston, Bette & Wallet, Bruce Peninsula, Calm Down It’s Monday, Castle Music, Cat Pontoon, Colonial Quarrels, Construction & Destruction, Deloro, Elfin Saddle, Erica Wehry, Eric Chenaux, Ghost Bees, Hard Drugs, Jenny Omnichord, Jim Bryson, John Tielli & The Metal Kites, Just Barelys, Katie Stelmanis, Koak, Love Singer, Luyas, Mardeen, Memories Attack, Motion Ensemble, Play Guitar, Quest For Fire, Richard Laviolette, Share, The Silt, The Stance, Thesis, Wax Mannequin, West Ave, Wet Nose Hero and Woolly Leaves.
Early bird weekend passes are now available for $60. Individual tickets will be available on June 1. Passes and tickets are available at all participating Ticketpro Outlets (www.ticketpro.ca).
The biggest music distributor in Atlantic Canada is winding down its traditional business because of declining sales. Landwash Distribution of St. John’s is recalling thousands of CDs, tapes, books, DVDs and videos from hundreds of stores across Canada and returning them to artists. Landwash, started 13 years ago, represents more than 100 Newfoundland, Labrador and Maritime artists, including The Fables and Kevin Collins. Landwash owner Charlotte Story said company revenues were down 35 per cent last year, and 2008 looks even worse. “I can’t get the sales up. They just keep going down and down and down, and the sales are dying. And the writing is on the wall,” she said. Billy Sutton of The Fables said he doesn’t know where he’ll find another distributor to get his CDs to other parts of the country. “Landwash, from what I know, was the only game in town that was getting out to other places in the country,” he said. “And now that doesn’t exist, so I have to find other distribution.” Kevin Collins was just weeks away from distributing his CD Just Call My Name when Landwash told him the project was off. Collins said previous distributors Tidemark and Duckworth Distribution also bailed on their artists and ceased to exist. “And a lot of artists in Newfoundland and Labrador I’m sure are going to feel a greater impact. It just makes things tougher and tougher all the time,” Collins said. “The independent artists in Atlantic Canada, — it’s all on their shoulders, and when something like this happens, it’s a major blow to them.” - CBC Arts Posted on Friday, May 2, 2008
Meanwhile…..
Radiohead, although trying all kinds of online experiments including their own social network and a remix contest fetching over 2200 remixes [one of the highest voted remixes is Holy Fuck - 3/4s of whom hail from the east coast which is nice to see considering the recognition they are getting of late].
However, they are not the innovative leaders they may have appeared to be:
Radiohead’s Thom Yorke: Free Album Offer Was a “One-Off” - Digital Media Wire
Thom Yorke: no more free Radiohead albums - Guardian UK
TechDirt’s Mike Masnick has his own take on it in “Don’t Read Too Much Into Radiohead’s Claim That It Won’t Offer Music For Free Again“:
Reznor expressed his less than favorable opinions on Radiohead’s release:
Trent Reznor: Radiohead’s ‘In Rainbows’ promotion was ‘insincere’ - CNet News
From the same CNet article above:
The truth is that Reznor, who at times is volatile–and is always outspoken–is doing more for music fans and fellow musicians than anybody.
Continue reading for complete details on “The Slip” (more…)
Obey Convention II
Last year’s Obey Convention was excellent, but this one looks as if it’s going to overshadow it by far. Darcy Spidle, owner of Divorce Records, has been pulling some strings and has managed to pull in a variety of very excellent local and national acts. I’m going to profile a few artists, starting with the group I’m the most excited about.
NADJA (Toronto, Canada)
are musicmakers Aidan Baker and Leah Buckareff. They make heavy, soul-crushing and uplifting ambient metal (/shoegaze/doom/drone/). Seldom completely abandoning melody and never letting up a wall of sound; Nadja makes some of the most immersive music I’ve ever heard.
Nadja began in 2003 as a studio project for Aidan Baker. In 2005, after releasing three studio albums (Touched, Skin Turns To Glass, Corrasion) and an EP (I Have Tasted the Fire Inside Your Mouth), Aidan brought Leah Buckareff into the project in order to perform live. They have since released 10 more full length albums, an EP, and 7 collaborations. Not only do they have a massive amount of material, but the quality of it all is very impressive.
Of course, Aidan Baker is a prolific artist on his own. Classically trained on the flute, and self-taught on guitar. He has over 100 albums and EPs that he has composed, contributed to, or collaborated on, as well as several books of poetry. His writings mirror his musical style in their darkness, brooding, length, and heresy; his book ‘Wound Culture’ includes the eleven stanza poem ‘Angel Tales’ which muses on the sex life of Angels.
Nadja’s most recent album, Desire in Uneasiness, is a more human offering than their older albums. A drum kit, rather than a programmed drum machine beat, makes the swelling sounds more accessible. While still dominating your sense, they make the feeling less abstract and more like a natural disaster. Seeing this version of Nadja in person promises to be a very memorable experience.
Myspace
Official Website
Label Website
A collection of excerpts of Aidan Baker’s poetry.
For more information on Sappyfest, visit: www.sappyrecords.com/festival.htm
Continue reading for a complete list of acts and their websites (more…)
Via Listening Post: “Fairly Violent, Pretty Amazing”
justice stress (official video)
by 75_prod